189 lines
5.0 KiB
Markdown
189 lines
5.0 KiB
Markdown
# S-51 Shot Brief V1
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## Status
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- Document status: created for direct S-51 generation.
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- Execution status: prompt/spec created and used directly; S-51 image accepted by user.
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- Project: `在路上`.
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- Unit: `s51`.
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- Source shot: `S-51`.
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- Segment / time: Outro / `4:16-4:54`.
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- Trial role: fifth and final shot in the five-shot visual test package.
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- Style anchor: D｜夜路小火 / 远方火点.
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## Purpose
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S-51 tests the ending restraint of the MV.
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Core test sentence:
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> 远方也有人在走，所以他继续在路上。
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This shot is not a resolution, victory, reunion, or arrival. It is an unfinished final wide shot: the road remains larger than the traveler, but the far fires prove he is not completely alone.
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## Source Files Actually Used
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Execution control:
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- `project.md`
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- `execution-plan.md`
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- `slides/slides.md`
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- `slides/five-shot-trial-plan-v1.md`
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Visual system:
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- `visual-system/visual-system.md`
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- `visual-system/characters/character-identity-lock.md`
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- `visual-system/style/style-anchor-board-review-v1.md`
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Accepted image references:
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- `visual-system/style/style-anchor-board-v1.png`
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- `intake/imgs/D.夜路篝火型蓝图.png`
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- `visual-system/characters/character-slice-walk-back-v2-from-anchor.png`
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- `slides/s47/shot-image-v1.png`
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- `slides/s47/shot-review-v1.md`
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Primary intake:
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- `intake/阶段五-镜头清单骨架.md`
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- `intake/阶段五-核心单镜.md`
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Skill references:
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- `C:\Users\wangq\.agents\skills\gpt-image-2\SKILL.md`
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- `C:\Users\wangq\.agents\skills\gpt-image-2\references\prompt-writing.md`
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- `C:\Users\wangq\.agents\skills\gpt-image-2\references\scenes-and-illustrations\concept-scene.md`
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- `C:\Users\wangq\.agents\skills\gpt-image-2\references\scenes-and-illustrations\minimalist-mood-scene.md`
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- `C:\Users\wangq\.codex\skills\.system\imagegen\SKILL.md`
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- `C:\Users\wangq\.codex\skills\.system\imagegen\references\prompting.md`
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## Source Meaning
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From the shot skeleton:
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- S-51 is the outro tail and final resonance image.
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- It is a very wide shot.
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- Night road, several distant fires, sky, wilderness, and world must all exist at once.
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- The traveler becomes almost a small point inside the road.
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- The ending does not solve the journey; it leaves "still on the road".
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From the expanded key-shot source:
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- It is not a victory summary.
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- It is not a meeting, hug, or team gathering.
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- It confirms that far away there are others, then keeps the traveler on the road.
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- The viewer should feel unfinished but less alone.
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Acceptance sentence:
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> It should feel unfinished but less alone: the traveler is still on the road, and far away there are other fires.
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## Composition Target
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Canvas:
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- 16:9 horizontal cinematic still.
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Shot scale:
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- Very wide night-road / wilderness-road frame.
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- Traveler about 1/20 to 1/12 of the frame.
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- Road, sky, and wilderness must occupy most of the image.
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- Person should be readable mainly as a small walking silhouette, not a portrait.
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Viewpoint:
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- Wide road-film landscape view.
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- Road starts from near foreground or lower frame and runs into dark distance.
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- The traveler walks away along or beside the road.
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- One small near/behind fire can be present, but it must not dominate.
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- One or two distant weak fire points should be visible far ahead.
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## Character Requirements
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Use only wide-shot identity cues:
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- small back-view walking figure;
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- long dark road-worn coat;
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- old backpack;
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- old walking boots only if leg detail is visible;
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- upright, capable walking posture.
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Do not show:
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- face;
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- emotional close-up;
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- heroic backshot centered like a poster;
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- arms-open posture;
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- bent waist or collapsed gait.
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## D Anchor Requirements
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Must preserve:
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- deep blue-black night;
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- dark muddy or wilderness road;
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- one small local fire or residual near fire;
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- one or two distant weak fire points;
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- restrained warmth;
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- real documentary texture;
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- road/world larger than person.
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Must avoid:
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- camping site;
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- tent, chairs, cookware, picnic setup;
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- group reunion;
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- visible crowd;
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- victory or arrival image;
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- large theatrical firelight;
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- inspirational poster backshot;
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- final destination feeling.
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## Palette And Light
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Base:
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- deep blue-black night;
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- wet dark blue-gray;
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- coal black;
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- mud brown;
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- dark khaki;
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- cold gray.
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Warmth:
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- very small warm-orange fire points only;
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- near fire light should be local and low;
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- distant fires should be weak, not celebratory.
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Avoid:
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- sunrise or sunset;
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- broad warm horizon;
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- daylight;
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- neon/cyberpunk;
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- fantasy glow;
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- over-bright stars.
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## Acceptance Criteria
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S-51 passes only if:
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1. The first read is road, night, sky, and wilderness, not a person or campfire.
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2. The traveler is very small, about 1/20 to 1/12 of the frame.
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3. The road is still more important than the person.
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4. Far fires read as "there are others on the road" without showing a group.
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5. Warmth is real but restrained.
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6. No reunion, no victory, no camping, no final destination feeling.
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7. The ending feels unfinished but less alone.
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## Next Files
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```text
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slides/s51/shot-prompt-v1.md
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slides/s51/shot-image-v1.png
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slides/s51/shot-review-v1.md
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```
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