video-workbench/projects/2026-06-23-在路上/slides/s51/shot-prompt-v1.md

S-51 Shot Prompt V1

Status

• Document status: created for direct generation.
• Execution status: used once for Mode B host image generation; candidate image accepted by user.
• Project: 在路上.
• Unit: s51.
• Source shot: S-51.
• Segment / time: Outro / 4:16-4:54.
• Style anchor: D｜夜路小火 / 远方火点.
• Purpose: generate the fifth and final trial image for the ending wide shot.
• Generated candidate: shot-image-v1.png.

User Gate

User accepted S-47 and requested the next shot.

The current trial workflow skips intermediate prompt review. The user reviews final generated images.

Skill Mode Check

Command:

node C:\Users\wangq\.agents\skills\gpt-image-2\scripts\check-mode.js --json

Result:

{
  "mode": "B-or-C",
  "recommendation": "host-or-advisor",
  "garden_mode_enabled": false,
  "has_api_key": false,
  "base_url": "https://api.openai.com/v1",
  "model": "gpt-image-2",
  "env_flag_value": "(unset)",
  "summary": "MODE B / C · 未启用 Garden。若宿主 Agent 自带图像工具（image_generation / dalle / mcp__*image* 等）→ MODE B：把 prompt 交给宿主出图。若宿主无图像工具 → MODE C：仅产出高质量 prompt 给用户。"
}

Interpretation:

• Garden local generation is not enabled.
• The host image-generation path is available in this environment.
• Use gpt-image-2 Skill Mode B: render the prompt through the Skill workflow, then pass it to the host image tool.
• Do not call scripts/generate.js.

Skill Template / Reference Basis

Skill files read:

• C:\Users\wangq\.agents\skills\gpt-image-2\SKILL.md
• C:\Users\wangq\.agents\skills\gpt-image-2\references\prompt-writing.md
• C:\Users\wangq\.agents\skills\gpt-image-2\references\scenes-and-illustrations\concept-scene.md
• C:\Users\wangq\.agents\skills\gpt-image-2\references\scenes-and-illustrations\minimalist-mood-scene.md
• C:\Users\wangq\.codex\skills\.system\imagegen\SKILL.md
• C:\Users\wangq\.codex\skills\.system\imagegen\references\prompting.md

Template selection:

• Primary category: scenes-and-illustrations.
• Main template logic: concept-scene.md for wide road-film landscape layers.
• Secondary restraint: minimalist-mood-scene.md for reduced elements, large negative space, and emotional restraint.
• Host image tool prompt structure: imagegen shared prompt schema.

Project Sources Actually Used

Execution control:

• project.md
• execution-plan.md
• slides/slides.md
• slides/five-shot-trial-plan-v1.md
• slides/s47/shot-review-v1.md

Visual system:

• visual-system/visual-system.md
• visual-system/characters/character-identity-lock.md
• visual-system/style/style-anchor-board-review-v1.md

Intake sources:

• intake/阶段五-镜头清单骨架.md
• intake/阶段五-核心单镜.md

Viewed local references:

• visual-system/style/style-anchor-board-v1.png
• intake/imgs/D.夜路篝火型蓝图.png
• visual-system/characters/character-slice-walk-back-v2-from-anchor.png
• slides/s47/shot-image-v1.png

Reference roles:

• D blueprint / style board: D warmth and restrained night-road atmosphere.
• Character walk-back slice: small back-view identity cues.
• S-47 image: immediately previous accepted transition shot.

The host image tool is used as a standalone prompt path. Explicit image-reference attachment is not available in this run.

S-51 Target

Shot function:

• final wide shot of the MV;
• road/world returns to the center;
• far fires confirm that others exist, without showing a gathering;
• the ending remains unfinished but less alone.

Core acceptance sentence:

It should feel unfinished but less alone: the traveler is still on the road, and far away there are other fires.

Final Rendered Prompt For Host Image Tool

Use case: photorealistic-natural

Asset type: 16:9 MV trial shot still for 在路上, S-51, final outro wide shot.

Primary request:

Generate one 16:9 horizontal realistic cinematic documentary still for the S-51 final wide shot of the 在路上 MV. This is the closing resonance image: a vast dark night road, a tiny traveler still walking, and a few weak fires far away. The ending should feel unfinished but less alone.

Scene/backdrop:

A vast dark wilderness road at night or deep pre-dawn. The ground is muddy, old, uneven, and wet, with faint puddles and rough earth texture. The road begins near the lower frame and recedes deep into the distance. The sky and wilderness are large and quiet, deep blue-black with sparse cold star points or weak cold night glow. The world must feel bigger than the person, and the road must feel longer than the person.

Subject:

A tiny 50-year-old male traveler walking away along the road. He is visible only as a small back-view silhouette with a long dark road-worn coat, old backpack, and restrained upright walking posture. No face, no expression, no close detail. He is still moving forward, not standing heroically, not celebrating, not arriving.

Composition/framing:

Very wide road-film landscape frame. Environment first, road second, distant fire points third, traveler last. The traveler should occupy only about 1/20 to 1/12 of the frame. Put the traveler low in the frame or slightly off-center, small enough to nearly merge with the road but still readable as a walking figure. Include one very small near or behind fire and one or two weak distant fire points far ahead in the darkness. Do not place fires as a camp scene; use them as sparse signals along the road. Keep the road, sky, and wilderness dominant.

Lighting/mood:

Deep blue-black night with readable dark depth. Warmth comes only from tiny orange fire points: a very restrained local near-fire glow and weaker distant fires. No broad warm horizon, no sunrise, no sunset, no daylight. Mood is quiet, unfinished, restrained, and less alone, not triumphant.

Style/medium:

Photorealistic cinematic documentary road-film still, realistic wet mud, dark wilderness texture, restrained poetic realism, natural low firelight, cold night atmosphere. It should feel like a final frame of a road documentary, not fantasy art, not a camping advertisement, not a motivational poster.

Character invariants:

Keep the traveler road-worn and capable. At this scale, identity survives only through silhouette: long dark coat, old backpack, walking direction, and upright gait. No hunched back, no bent waist, no collapsed shoulders, no bowed defeated head, no heroic arms-open pose.

Required emotional meaning:

The image should say: he is still on the road, and far away there are others on the road too. It must not say: he has arrived, he has won, he is joining a group, or the story is solved.

Avoid:

No tent, no camping chairs, no cookware, no picnic setup, no cozy campsite, no visible group, no reunion, no team gathering, no cheering, no victory pose, no central heroic backshot, no final destination gate, no large theatrical campfire, no warm sunset horizon, no sunrise, no daylight, no travel advertisement, no fantasy magic glow, no sci-fi, no cyberpunk, no neon, no UI, no code, no text, no logos, no watermark.

Output intent:

One still image candidate for slides/s51/shot-image-v1.png.

Generation Result

Host default output:

C:\Users\wangq\.codex\generated_images\019ef2f7-e630-7303-a0e8-e5e7a86912fc\ig_0f4f5d34b9230f8d016a3a5bfa40b88191a5737a2fb84a499f.png

Project copy:

slides/s51/shot-image-v1.png

Acceptance Criteria To Use In Review

S-51 passes only if:

1. The first read is road, night, sky, and wilderness, not a person or campfire.
2. The traveler is very small, about 1/20 to 1/12 of the frame.
3. The road is still more important than the person.
4. Far fires read as "there are others on the road" without showing a group.
5. Warmth is real but restrained.
6. No reunion, no victory, no camping, no final destination feeling.
7. The ending feels unfinished but less alone.

Review File Created After Generation

slides/s51/shot-review-v1.md